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“I’ve just sat on my flute
……can you repair it?”
“My trumpet valves keep sticking
……can you repair it?”
“I’ve just found a split in the
back of my violin ……can it be repaired?”
“It was my Grandmother’s piano, I
think it needs a lot more than tuning……can it be restored?”
The National Association of Musical Instrument
Repairs has many members listed on this website who frequently
get asked just such questions and are quite used to giving the
answer “Yes”. But it is important to find the right repairer for the
instrument and it is useful to understand a little of what is to be
done. This section of the website aims to help make this process
easier.
Different Types of Instruments
Clicking on the “Members list” on the navigation
bar will enable you to find repairers in many different geographic
locations, but because there are so many different types of musical
instruments, many repairers specialise in the repair of just a few
groups of instruments and sometimes one only. Hence it helps to know
which “Group” or “Class” or “Type” or “Family” of instruments your
particular instrument belongs to - it’s not always obvious. For
instance a saxophone belongs to the woodwind group even though it is
made of brass. For simplicity, the main instruments in each category
are set out below:
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Woodwind |
Brass |
Strings |
Piano |
Percussion |
Flute
Piccolo
Fife
Recorder
Clarinet
Saxophone
Oboe
Cor Anglais
Bassoon
(Double Reed Family) |
Trumpet
Cornet
Bugle
Flugel Horn
Tenor Horn
(Saxhorn)
Baritone Horn
Trombone
Euphonium
Tuba
Eb & Bb Bass
Sousaphone
French Horn |
Unfretted
(Violin family)
Violin
Viola
Viol
Cello
String Bass
(Double Bass)
Bows
Fretted
Guitar
Mandolin
Banjo
Ukulele
Sitar |
Upright
Baby Grand
Concert Grand |
Snare Drum
Tom Tom
Bongo
Cymbal
Bass Drum
Timpani
Kettle Drum)
Tubular Bells
Glockenspiel
Xylophone
Vibraphone
Marimba |
Woodwind Repair
Most musical instrument repairers offer to carry
out on woodwind instruments the following category of repair: -
checkover and put right, service (when the instrument is dismantled,
cleaned and faults put right, and re-pad or overhaul (when all pads
and most corks are replaced) along with the work done in a
service. A checkover should be requested whenever the instrument
seems not to be playing at its best, or before an exam or concert.
A service on these instruments should generally be carried out every
one to two years. Typically after this time the instrument will
start to look a little dirty with fluff accumulating behind the
keys. At this point it is likely that a few of the pads may no
longer be seating as accurately as when new and the rod screws will
need oiling. A re-pad becomes necessary when most of the pads are
becoming worn or seat badly and cannot be improved without a great
deal of work, which would not necessarily provide a lasting
solution. Re-pads are not often required on instruments less than
five years old unless there has been some damage to them not
directly related to playing.
Flute Repair - Typically most repairers
carry out checkover, service and re-pad. Flutes are particularly
prone to minor leaks when the pads become ill fitting and this makes
the instrument more difficult to play. It is normally recommended
that a flute is serviced every year or at the most two. A common
problem with metal flutes is that the head or foot joints become
either too lose or too tight to assemble correctly which can also
affect the playing. A repairer will be able to true these parts up
and shrink or expand the tenons so that they fit correctly. The
piccolo is a member of the flute family and while most repairers
will checkover and adjust a piccolo, many repairers will send this
instrument to a specialist for a repad.
Recorder Repair - The popular sizes range
from Sopranino to Contra Bass. Many of the small cheaper plastic
recorders will not need any repair but the larger and wooden ones
will need repairs such as tenon re-corking, re-padding and spring
replacement. Key work may require freeing, realigning or
modification. The larger instruments often have brass tubing to
supply the breath to the top of the instrument otherwise out of
reach. This tubing may need repair or even replacement. Broken
tenons may be repairable but will usually require specialist
attention. Re-voicing will usually require return to the supplier
or a very specialist repairer.
Clarinet Repair - Again most musical
instrument repairers will offer checkover, service and overhaul as
appropriate, with replacement tenon corks and tenon repairs as
well. Clarinets are particularly sensitive to errors of regulation
(where the pads are not closing together) between the two lowest
pads, F and E. This leads to hesitation when playing over the break
and it is normally recommended that this be checked every year by a
musical instrument repairer- particularly where the player is not
experienced and would not necessarily recognise the symptoms. Cracks
in wooden clarinets can be pinned and glued. Broken tenon joints can
be repaired by fitting inserts.
Saxophone Repair (sometimes wrongly spelt
saxaphone and often just called a sax!) - Most musical instrument
repairers will offer to checkover, service or re-pad (as necessary)
and many also offer to carry out bodywork repairs and dent removal
(including soldering and brazing) where these are needed. The
saxophone family includes the soprano, alto,
tenor and baritone and the playing of them all is affected by minor
leaks invisible to the eye. The exact effect is dependent on where
on the saxophone the leak occurs. It should be assumed by the
player that any deterioration in playing on the saxophone is the
result of a leak or leaks that are normally impossible for the
player to detect and the instrument should be taken to a repairer
for a checkover.
Oboe Repair – Again, musical instrument
repairers offer to carry out checkover, service and overhaul on the
oboe but there are also some repairers that specialise in the repair
of double reed instruments (particularly including the cor anglais
and oboe d’amour). Although cork pads on the oboe are generally
quite robust, the regulation between them can often become
inaccurate such that minor leaks develop, so regular checkovers are
recommended.
Bassoon Repair – Similarly musical
instrument repairers will offer to carry out checkover, service and
re-pad of a bassoon. As with the oboe there are also some repairers
that specialise in double reed instruments and this is particularly
the case with bodywork repairs to the bassoon as not all repairers
have the necessary equipment for this work.
Brass Instrument Repair
Repair work on brass instruments essentially
includes servicing of valves, servicing of slides (and their removal
when stuck), servicing of waterkeys and general bodywork repairs as
required by the customer. In addition many brass instrument
repairers also will arrange for a brass instrument to be
re-lacquered or re-plated when desired by the customer. When a
brass instrument fails to speak in its normal manner this will be
because there is either a constriction somewhere in the tubing (you
would be amazed at some of the things extracted from brass
instruments – including live gerbils!) or there is a leak somewhere.
Perhaps a leak due to poorly fitting valves, a joint that has become
unsoldered or a tube that has split from internal corrosion. All of
these faults can usually be repaired.
Cornet Repair, Trumpet Repair, Flugel Horn
Repair and Tenor Horn Repair - Most brass instrument repairers
will offer to carry out servicing of piston valves, servicing of
slides, servicing of water keys and general dent removal or
re-soldering work. Slides should be regularly removed by the
player and condensation shaken out. The slide surfaces should be
lightly greased. When a slide is stuck on a cornet or trumpet, the
instrument should be taken to a musical instrument repairer. The
player should not use force, as damage is likely to occur which will
cost much more to repair than for the repairer to remove the
slide. The same comment applies when a mouthpiece is stuck in the
instrument, as considerable damage will occur if the right tool is
not used to remove it. Piston valves that are jammed or just rather
sluggish are a common problem. If some simple cleaning and fresh
valve oil does not cure it, the services of a brass instrument
repairer should be sought. The brass instrument repairer can remove
many dents very effectively and often there will be a discussion
with the customer to decide upon the extent of dent removal needed.
Trombone Repair – Here the main
consideration peculiar to trombones will be the condition of the
playing slide which needs to be as smooth and slick as possible.
There are many faults that can cause poor slide function including
dirt, too much slide cream or there may be some mechanical reason
such as dents, bends and the whole slide geometry being out of
alignment. If there is poor action on the slide the player should
initially clean the stockings on the inner slide (the slightly
expanded section at the ends) and the inside of the outer slide, but
if this results in no improvement the instrument should be taken to
a brass instrument repairer as no other action by the player will be
effective.
French Horn Repair - Most brass instrument
repairers will offer to carry out servicing of the rotary valves on
a French horn including restringing where necessary. This is not
something that can be carried out by the player. The player should
take out the slides at frequent intervals when playing to allow
condensation to be shaken out. If the slide action becomes
difficult the instrument should be taken to a brass instrument
repairer for servicing. The repairer normally offers to carry out
general bodywork repairs including dent removal.
Baritone Repair, Euphonium Repair and Tuba
Repair (includes Eb Bass, Bb Bass and Sousaphone Repair) - Not
all brass instrument repairers carry out repairs to these
instruments owing to the larger range of tools required and the
greater physical strength needed for some of the work. Prices
therefore tend to be higher for work on these larger instruments.
Work that is carried out by the repairer includes valve servicing,
leak detection and repair, dent removal, slide cleaning, general
bodywork repairs and sometimes polishing and re-lacquering.
Stringed Instrument Repair
String instruments fall into two categories,
unfretted (violin family) and fretted (guitars and mandolins etc)
and not all repairers carry out work on both families of
instruments. It is important that when any of these instruments are
stored unused for a length of time that they are not put in a loft
or other uncontrolled environment. Considerable damage can occur
to the wooden bodywork of these instruments under these conditions,
with joints opening up and cracks appearing, all resulting in an
expensive repair.
Violin Repair, Viola Repair, Cello Repair, Bass
Repair - Repairs to this group of musical instruments become
necessary either through wear and tear or physical damage. In the
first category the repairer can refit pegs, fit a new bridge,
replace the soundpost and replace the fingerboard or saddles when
worn, all to make the instrument play at its best. In the second
category the repairer will repair damage –such as a hole through the
ribs- or repair cracks that may have formed in the front or back of
the instrument. Other parts of the instrument can be replaced or
re-set if necessary. The repairer can adjust a chinrest, refit the
spike holder to a cello or bass and make good damaged areas of
varnish needing touching-in. The scope of work done during the
repair of a stringed instrument should be agreed between the
customer and repairer before work starts.
A further repair offered by many string repairers
is bow re-hairing. This is needed when the hairs of the bow become
straggly or partially broken such that the number of hairs remaining
in the bow is insufficient for the purpose and when the hair becomes
dirty or stretched.
Guitar Repair, Mandolin Repair, Ukulele Repair,
Banjo Repair, Sitar Repair and other Asian Instrument Repair -
Repairs to this group of musical instruments
become necessary through either wear and tear or physical damage.
The repairer can re-fret the instrument, repair the bridge, replace
the machine head, and carry out general body repairs according to
need. Instruments can be restrung and those such as the banjo have
the vellum replaced. The full scope of work should be agreed
between the customer and repairer before work starts.
Piano Tuning and Repair
Repairs to Pianos fall into several categories.
Most become identified when the piano tuner visits the instrument
for the first time. Repairers can replace damaged parts of the
action and where necessary make new parts for the
keys or other moving items, as spares are rarely
available. Missing ivories can be replaced with attention given to
matching the colour of the original. When the case is damaged or
the French polish in poor condition, repairers can generally restore
the instrument to a good standard of appearance. Repairs can also
be made to the frame where it is no longer able to take the tension
imposed by the strings. Some piano tuners also carry out repairs
but others will refer the customer to a repairer when necessary.
Percussion Instrument Repair
Repairs to percussion instruments include all
types of repair to drums. Marching drums, such as snare drums,
tenor and bass drums can be serviced and can also be recovered to
alter the marking when required. Replacing the heads on these drums
is sometimes done by the player but will be done by the repairer on
request.
With timpani repair, the repairer can overhaul the
pedal mechanism, replace the heads and deal with bodywork damage as
requested. Some percussion repairers also offer to restore old
rope tension drums that can be used as decorative features rather
then for playing.
Retuning of mallet instruments such as the
xylophone is a specialist repair, but some repairers offer this.
Where significant damage or tuning problems occur it may be more
economical to buy a new one.
An instrument requiring repair should be taken if
possible to the repairer who will give an indication of the work
that will be needed to bring the instrument up to good condition.
Finally, if you have any queries about the
suitability of any instrument for repair and restoration, do get in
contact with anyone in the membership list
to discuss things either by phone or e-mail – if they do not feel
competent to undertake the work themselves they will usually be able
to recommend someone who can.
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